Rather than using band members, producer Terry Melcher hired a collection of top session musicians, retroactively known as the Wrecking Crew, including Hal Blaine (drums), Larry Knechtel (bass), Jerry Cole (guitar), and Leon Russell (electric piano), who (along with Mc Guinn on guitar) provided the instrumental backing track over which Mc Guinn, Crosby and Clark sang.
We went into the lobby and started picking on the stairway where the echo was good and David came walking up and just started singing away with us doing the harmony part ...
We hadn't even approached him." In addition, they had all served time, independently of each other, as sidemen in various "collegiate folk" groups: Mc Guinn with the Limeliters and the Chad Mitchell Trio, Clark with the New Christy Minstrels, and Crosby with Les Baxter's Balladeers.
Tambourine Man (1965), by melding the influence of the Beatles and other British Invasion bands with contemporary and traditional folk music.
As the 1960s progressed, the band was influential in originating psychedelic rock and raga rock, with their song "Eight Miles High" and the albums Fifth Dimension (1966), Younger Than Yesterday (1967) and The Notorious Byrd Brothers (1968).
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Demo recordings made by the Jet Set at World Pacific Studios would later be collected on the compilation albums Preflyte, In the Beginning, The Preflyte Sessions and Preflyte Plus.
Drummer Michael Clarke was added to the Jet Set in mid-1964.
Two weeks later, during a Thanksgiving dinner at Eddie Tickner's house, the Jet Set decided to rename themselves as "The Byrds", a moniker that retained the theme of flight and also echoed the deliberate misspelling of the Beatles.
Producer Terry Melcher (left) in the recording studio with Gene Clark (center) and David Crosby (right).
Melcher brought in session musicians to play on the "Mr.